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RESEARCH LIBRARY 
THE GETTY RESEARCH INSTITUTE 


JOHN MOORE ANDREAS COLOR CHEMISTRY LIBRARY FOUNDATION 


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GEO. H. MORRILL CO. 
Founded 
1840 


“Morrill 


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Manufacturers of 2 
PRINTING INKS IN EVERY COLOR AND VARIETY 
LITHO AND OrFFsET INKS IN BLACK AND COLOR oa 
iJ 
A WELL BALANCED RANGE OF Process INKS ED) 


News INKs FOR EVERY REQUIREMENT 
VARNISHES FOR LITHO AND 
LETTERPRESS 


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28 60 5 ED Le ee a Ce Me tee BO 
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GEO. H. MORRILL CO. 


HEAD OFFICE 
NORWOOD, MASS. 


FACTORIES 
NORWOOD, MASS. - CLEARING, ILL. 


CARBON PLANTS 


BARREN CREEK, WEST VIRGINIA 
SHREWSBURY, WEST VIRGINIA 
EASTERN, KENTUCKY 


DISTRIBUTING BRANCHES 


BOSTON, NEW YORK, 
CHICAGO, ST. LOUIS, 
SAN FRANCISCO 
LOS ANGELES 


FOREIGN REPRESENTATIVES 


AMERICAN TRADING COMPANY 
FOR ENGLAND, THE FAR EAST 
AND AUSTRALASIA 


NATIONAL PAPER & TYPE COMPANY 
FOR MEXICO 
AND LATIN AMERICA 


THE GETTY RESFaecH 


Foreword 


HE illustrations in this book show results 
/ obtained from a selection of representa- 
tive black and colored inks manufactured 
6 by this Company in keeping with the 
highest standards of modern printing. To 
; make the book more interesting and ser- 
viceable a variety of subjects has been chosen and the use 
of paper, screen and ink has been considered in connec- 
tion with each; only nationally known papers, for in- 
stance, having been selected. 

The black inks, chosen from many, are typical of each 
class with certain definite features. No attempt has been 
made to show all of the colored inks manufactured, those 
included being representative of the most popular. Prac- 
tically any variation may be obtained by mixture of the 
inks illustrated, in addition to which the Company's fac- 
tories and branches are equipped to furnish inks of any 
special shade or for any particular purpose. 

At the bottom of each page is a block with solid and 
various screens for convenience in matching and a brief 
summary of certain properties of each ink which have 
been determined from experience or by laboratory test. 

PERMANENCY. In testing for permanency it is found 
that while certain inks show no change after forty-five 
{vt} 


FOREWORD 


hours exposure in the Fadeometer, which is equivalent 
to a month in the sunlight of northern United States, 
they may change under the sun’s rays in Texas, Southern 
California and other similar localities. It has also been 
determined that inks madefrom permanent pigments can- - 
not be reduced beyond a certain point without losing per- 
manency and that the use of some papers has the same 
effect. 

ALKALI PROOF. An ink may be rated as alkali or paste 
proof as shown by our customary test with an aqueous 
caustic solution but the result may be different if exposed 
to a stronger solution or if the paste be acid instead of 
alkaline. 

DRYING AND SETTING. Certain inks are made to dry 
quickly, others to set quickly, but the atmosphere, the 
quality of the paper or its hygroscopic condition and 
other causes may counteract the drying or setting quali- 
ties of any ink. 


Summary 


The properties of the inks listed herein have been es- 
tablished by actual test under certain definite conditions 
and are given in good faith as a guide to the printer, but 

“because of the varying circumstances under which print- 
ing is done and the effect of factors such as differences in 
paper, atmospheric conditions, amount of ink carried, 
state of the rollers, other material added to the ink, etc. 
this Company, of necessity, assumes no responsibility for 
results obtained because of statements made in this book 
and such statements are not to be construed as warranties. 


Gro. H. Morritt Co. — 
{vu} 


ACKNOWLEDGEMENTS 


* 


Credit and thanks are given to those through whose courtesy the 
following illustrations were obtained for this book: 


FRANKLIN Portrait. From plates of Norman T. A. Munder and Co. 
reproducing a painting of Joseph Siffrein Duplessis (1725-1802) 
by permission of The Metropolitan Museum. 


Tue Boy 1n Rep. From a copyrighted print of The Medici Society of 
America, reproducing a painting by Madame Vigée Lebrun 
(1755-1842). 


Nicut Scengz. From a prize photograph by Joseph A. Popino, New 
York. 


GrorGE WasHINGTON. From a bust by Jean Antoine Houdon (1741- 
1828) in The Boston Museum of Fine Arts, a gift from Mr. 
Edward Tuck. 


Tue Pour. Reproduction of statue used as copyrighted trademark by 
the Damascus Bronze Company, Pittsburgh. 


Map or Lonpon, From Smith’s First Book on Geography published. 
in 1848 by Cole & Burgess of New York. Courtesy of Mrs. Edith 


Miniter, Malden, Mass. 


Gutenserc Bisrz. From the first book printed with movable type. 
by Johannes Gutenberg of Mainz, Germany, (1400-1468), 


begun in 1450 and finished in 1455. Courtesy of Norman T. A. 
Munder and Company. 


{ vu} 


ACKNOWLEDGEMENTS 


Horn-Boox. From an illustration of Thomas R. Beaufort in A 
History of The Horn-Book, by Andrew W. Tuer, F.S.A., show- 
ing a device by which children were first taught their letters, 
consisting of the alphabet and Lord’s Prayer printed and pasted 
on a small board with handle and transparent horn protection 
held in place by brass edging. Its use began about 1500 A. D. 
and continued for about three hundred years, the specimen 
shown having been made during the reign of Queen Elizabeth 
(1558-1603). 


Arca oF Titus. From a photograph of Adolph Braun & Co., New 
York. 


Ye Oxp Dicx. From an etching by George T. Plowman of an old inn, 
Smithfield, England. 


Tree Biren Trexs. From a photograph by John Kabel, Dayton, 
Ohio. 


Litrte Bos anp Tiny Tim. Well known characters of Charles Dick- 
ens’ A Christmas Carol from a Copley Print, copyrighted by 
Curtis & Cameron, Publishers, Boston, reproducing a painting 
by Jessie Wilcox Smith. 


Lapy 1n Brug. From the portrait of a Russian Princess by C. A. 
Somoff (1869-2). Tretiakoff Gallery, Moscow. 


Avuip Lane Synz. From a copyrighted Copley Print by Curtis & 
Cameron, Publishers, Boston, of a painting by W. L. Taylor, 
copyrighted by The Curtis Publishing Co., and printed by per- 
mission of The Ladies Home Journal. 


Cana InN VENIcE. From a painting of the Spanish Artist, Martin 
Rico, (1850-1908), by permission of The Art Institute, Chicago. 


{1x} 


ACKNOWLEDGEMENTS 


By Permission of the Metropolitan Museum: 

Tue Lute Prayer and Tue Sicn Painter. From paintings by 
Jean Louis Meissonier (1815-1891). 

Tue Apotuecary Suop. From a painting by F. A. Grison (1845- 
1885). 

YounGc WomAN wITH WATER JuG. Painting by Johannes Vermeer 
(1632-1675). 

MepirTatTIon. From a painting by Charles Sprague Pearce. 


From Drawings by LeRoy Henry Appleton, New York. 
STREET IN OLD Cairo 
PotrEry DEsIGN 
THE CoTraGE 


From Photographs of H. Armstrong Roberts, Philadelphia. 
Crowinc Cock 
THe Swan 


From Photographs of Gramstorff Bros., Malden, Mass. 
Gru wiTH Cart. From painting by Paul Hoecker (1854-1910). 


Tue LaucuinG Cavatirr. From a painting by Franz Hals 
(1580-1666). 


From Photographs of P. Cartoni Co., Boston. 
Carvep Capita. Baths of Caracalla, Rome. 
MarsBt_eE Frrepiace. Ducal Palace, Venice. 


From Photographs of Harold Hugo, California. 
Marine. Varishade Subject. 
Torrey Pine. A tree peculiar to the Pacific Coast. 


From Photographs of Keystone View Co., Inc. 


Heap or Dante. From a model by Paolo Abbate for a bust of the 
poet overlooking the Hudson in New York. 


Nupe Cuixp. From a painting by M. Angelo, Hungarian artist. : 


{x} 


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PERMANENCY 


This Company considers as abso- 
lutely permanent to sunlight only 
those inks which stand the severest 
test without change. The classifica- 
tions AtMost PERMANENT and 
FarrLty PERMANENT Zndicate inks 
as fast to light as they can be made 
with the most permanent pigments 
obtainable. Among colors classed 


as almost permanent ave many con- 
sidered by the trade as permanent 
and among those rated fairly per- 
manent ave many of good perma- 
nency for the work for which 
they ave intended. 


In Ordering Inks Always Give the Formula Number Desired 


BLACK INKS 
Boox 


CovER 
GLASSINE 
HaALFTroNE 


Jos 


MacazinE 


PosTER 
PRocegss 


INDEX 
OF INKS ILLUSTRATED 


5 


FORMULA 


NAME NO. 


African Black Heavy 5459 
African Black Medium 6718 


African Black Soft 5015 
Bible Black 6659 
Geography Black 6734 
Ozo Book Black 6668 
School Book Black 5098 
Cover Black 6757 
Glassine Black 6753 


Banknote Halftone Black 5002 

Knickerbocker Halftone 
Black 5024 

Mohawk Halftone Black 6638 


‘Miracle Halftone Black 6732 


Oxy Halftone Black 6669 
Tobey Halftone Black 5606 


Extra Fine Job Black = 5.008 
Parchment Black 5000 


Farm Magazine Black 6754 
M. & E. Magazine Black 5388 
Rotary Magazine Black 6579 
Y.C. Magazine Black 6755 


Poster Black 6760 
Process Black 5460 


PER- 


TRANS- 


PAGE MANENCY PARENCY 


20 
63-66 
I 


rg 


DUD yO wR 


FOR DEFINITION OF PERMANENCY SEE PAGE XII 


AP—A.tmost PERMANENT 
F P—Farrty PERMANENT 
F—FucirTive O—Opaqur 


P—PERMANENT 


q xu} 


T— TRANSPARENT 
ST—Semi-TRANSPARENT 
SO—Semi1-Opaqug 


aera ree rr reer eee ee eee ————————————e 


INDEX OF INKS ILLUSTRATED 


In Ordering Inks Always Give the Formula Number Desired 


FORMULA PER- TRANS- 

BLUE INKS NAME NO. PAGE MANENCY PARENCY 
BonpD Bond Blue 600 68 AP GSE 
CovER Venetian Cover Blue 683 76: BE eae 
GuassinE_ Glassine Blue 3589 74 ART OSe 
LaBEL Dark Label Blue 3605 72 hee 
Light Label Blue 3604 71 AR Se 
Let. Press Blue Lake 01535 40 F # Y 


Bronze Blue (on Super) 01512 39-A AP ST 
Bronze Blue (on Coated) 01512 39-B AP ST 


Imperial Blue 14 38° APS SL 
Milori Blue 3454 39.) AP ae 
Peacock Blue O1§5I 4I F 44 
Regal Blue o1g2g=R. 37 ARs toe 
Ultramarine Blue 01546 Ae oe ST 

PosTER Dark Poster Blue 3587 65°. AR Ger 
Light Poster Blue 3585 660: BE OSe 
Medium Poster Blue 3586 645 AR SE 

Process Process Blue 3595 I F T 

VaRISHADE Reddish Blue Varishade 973 5 F ST 

BRONZE INKS 
Atuminum Aluminum Ink Powder 3554 73 
Bronze __ Bronze Ink Liquid 3552 73 


GoLp Rich PaleGold Ink Powder 3567 73 
BROWN INKS 


Let. Press Chocolate Brown 2.473 62. FR 
Deep Photo Brown 27 6 ORR er 
Haig Brown 527 $9. Foy oe 
Pershing Brown 158 60 eee 
VaRISHADE Brown Varishade 1177 4 F ST 
Maroon Varishade 365 ese ST 
Sepia Varishade 2.63 3 F ST 
GREEN INKS 
CovER Ex. Light Cover Green 05401 76. ARPS 
GuassinE Glassine Green 3,607 74 | Ae 
FOR DEFINITION OF PERMANENCY SEE PAGE XII 
P—PERMANENT T—TRANSPARENT 
AP—Atmost PERMANENT ST—Semi-TRANSPARENT 
F P—Fatrty PERMANENT SO—Sem1-Opaque 
F—Fuaitive O-— Opaque 


{ x1v } 


INDEX OF INKS ILLUSTRATED 


In Ordering Inks Always Give the Formula Number Desired — 


FORMULA PER- TRANS- 
GREEN INKS Cont’d NAME NO. PAGE MANENCY PARENCY 
Ler. Press Dark Green Lake O1416 ead T 


Dark Milori Green 01407 Si AP 
Ex. Dark Milori Green o1409 54: wages 4 er dot= fb 
Ex. Light Milori Green o14o1 ie Can Mee al eter ets 
Light Green Lake OI41I 55 F ee 
Light Milori Green 01403 Gi ee 
Medium Milori Green 01405 42). AEs oO} 


PosTER Ex. Light Poster Green 3580 ore | APOE ST 
Light Poster Green 3581 66.0) Ab ou 
Medium Poster Green 3582 G4) /APPME? 


ORANGE INKS 


GuassiInE_ Glassine Orange 3606 74 PE ee 
Let. Press Persian Orange 01203 49 F T 
Tangerine Orange 01206 AB o> APowes Lt 
PURPLE INKS 
Let. Press Imperial Purple o1613-R 58 FP ST 
Royal Purple 01605 57 F ST 
PosTER Poster Violet 3588 Gye Eee 
RED INKS 
Bonp Bond Red > 3576 68 kas 
CovER Cover Red 282 76 F O 
GuassiNnE_ Glassine Red 3477 74 F ST 
LABEL Dark Label Red 3,603 pie agar: § Ave thy 
Light Label Red 3,602. 69> FP ‘St 
Let. Press Carnation Red o1160 35 F ST 
. Colorado Red (on Coated) 432 27 F O 
Colorado Red (on Bond) 432 4.27-A’ F O 
Columbine Red o1145-R 29 FP ST 
Cosmos Red o1147-R 28 FP ST 
Dahlia Red orrs7-KRendiy. PPS LST 
FOR DEFINITION OF PERMANENCY SEE PAGE XII 
P—PERMANENT T—TRANSPARENT 
AP—Axmosr Permanent ST—Semi-TRANSPARENT 
F P—Farrty PerMaNENT SO—Semi-Opaque 
F—FuaitIvz O— Opaqugz 


{xv} 


pe cn SS 


INDEX OF INKS ILLUSTRATED 


seocensesssecnenssunpens.t CEC EE TEA 


In Ordering Inks Always Give the Formula Number Desired 


FORMULA PER- TRANS- 
RED INKS Cont'd Name NO. PAGE MANENCY PARENCY 
Ler. Press Dark Red o1108 33 ABS 

Excelsa Red o1126-R 25 FP ST 

Geranium Lake Y 2.03 26 FP gh 

Light Red OLIOL... 32 Ae 

Phlox Red o1173-R. 34 - FP ee 

Regal Red OII55 30°, ERC oE 

Thistle Red o1601-R_ 36 F 4 

Volcano Red o1132-R. a3. AR oe 

Zinnia Red OI121 24°. Ee Sec 

PosTER Dark Poster Red 3584 63. AR oat 
Light Poster Red 3571 66. ARO cae 

Medium Poster Red 3583 65° AR eee 

Process Process Red 3594 I Bee 
TINTS 
Blue Tint 1047 67. RP. we 

Flesh Tint 1045 67, oe oe 

Light Green Tint 1049 67. FR ap 

Neutral Gray Tint 698 67 AP SO 

Pink Tint 1046 67 CBE ao 

Silver Gray Tint 1048 67° FR so 

Yellow Tint 594 67. AP ae 


Yellowish Green Tint 1042 67. FRE Gee 


YELLOW INKS 


CovER Medium Cover Yellow 05305 6. APS ae 
Let. Press Canary Yellow 01303 43.) AP 
Deep Yellow 01307 AS. ak eee 
Medium Yellow 01305 44) GRR oe 
Yellow Lake G OI31I 46°. RE T 
Yellow Lake R 01316 ry gees T 
PosTER Light Poster Yellow 3578 63:2 Ae 
Medium Poster Yellow 3579 64. AP 
Process Process Yellow 3593 1 BR 
FOR DEFINITION OF PERMANENCY SEE PAGE XII 
P—PERMANENT T—TRANSPARENT 
AP—A.most PerMANENT ST—Szgmi-TRANSPARENT 
F P—Farrty PERMANENT SO—Sem1-Opaqur 
F—Fucitive O—OpagquE 


{ xvi} 


ns FS 
XQ | pp ° ae 
EY SK 
* se ea 
“La ee — 
MISCELLANEOUS SPECIALTIES 
Not [lustrated 
Formula No. 
To Increase DryInG 
Mermoratt iit et ee ep oh 2 6706 
Merce A view Ole a BORA 
Meee aeuanese Drier. we ee a TAD 
To Retarp DryIncG 
URN RrE Na Tat.) 8 2g ae oe) a 2 
To Set Fast 
SMR ee eo nego BSOE 
To INcrEAsE Tack 
Body Gum . . | EE EOE Rage CURE RENE yo: 
Dark Gloss Varnish ‘ EIR aS ph Car ih eck 
Sees USAC watWIS kk eee sc S200 
Pag auiowesy atnish®) 2 es Se gnas 
To Repuce Tacx 
Meer diay ees 
Re a a ee ee 
Priting Becenice (Liquid) . 2 27. we. 4 
pet iast: Mira peat eed e ESTs ee tt 
Soft Manhattan Black alts os be awed: kcal wh ae Oat 
apr ettPastey ee gag 
Ree RC TR gt Se oe 
To IncrzasE Goss 
NSE EO RREOE PL RAENC AS Dor RypoN) eo! TL APEE SY. 
Ee ek ch ae Wi ee Ne. OOS 
To IncrzasE Bopy 
Pianase tiack (ap) ce Ne a SRG 
Berry Gruss ys, SARA, Mee ase ay Sacre 


{xvu } 


pe 
MISCELLANEOUS SPECIALTIES 


eee 4 


To PrevENt MoTTLING 
Gum 
Laketine 


To LENGTHEN INK 
Gloss : 
To OvEerRcoME STATIC 
Electric Eradicator 
For WaAsH-upP 
Crystalene 
Ink Remover (inflammable 
No WasH-vupP 


Time Saver 


WHITE FOR TINTS OR Cae 


Heavy White for Covers 
Job White 

Mixing White 
Semi-Transparent White 
Transparent Tint Base 


Dustinc Bronze Pownpers in Aluminum, Deep Gold, Pale 


Formula No. 


. §289 
A-3070 


» SEES 
. 1769 


. §230 
+ 3390 


So 4 


834 
go2. 
993 
681 
226 


Gold, Rich Gold and Rich Pale Gold. 
Gop S12z, for use with Bronze Powder, in any shade of Yellow, 


Brown, White, etc. 


INKs IN ANY CONSISTENCY AND FOR ANY REQUIREMENT, 


such as: 


Bread Wrappers 

Burlap Bags 

Butter Wrappers 

Cartons 

Celluloid 

Cotton Bags 
ALso 


Fibre Board 
Paper Bags 
Soap Wrappers 
Tin Foil 

Wax Paper 
Wood Boxes 


Copper Plate, Copying, Die Stamping, Engravers, Imitation 
Typewriter, Litho Offset, Paging, Perishable Safety, Roto- 
gravure, Tin Printing, Transfer and News Inks and Perfecting 


Press Colors. 


Letter Press Varnishes 


Gum Varnishes 


{ xvii } 


Litho Varnishes 
Plate Oils 


There is in all aes, of the 
GEO. H. MORRILL CO. 


the same excellence which, for more 


than eighty-five years, has made 


its NEWS INKS the 
standard of the world. 


LL works of quality 
must bear a price in 
proportion to the 
skill, time, expense 


and risk attending — 


their invention and 
manufacture. Those things called dear 
are, when justly estimated, the cheap- 
est; they are attended with much less 
profit to the builder than those which 
everybody calls cheap. 

Beautiful forms and compositions 
are not made by chance, nor can they 
ever, in any material, be made at small 
expense. A composition for cheapness 
and not for excellence of workman- 
ship is the most frequent and certain 
cause of rapid decay and entire destruc- 
tion of arts and manufactures. 

—RUSKIN 


FOUNDED 18640 


REG.U.S. PAT. OFF. 


{ xxi } 


The Inks used in the Introductory Section of 
this Book are as follows: 


Cover lining: NEUTRAL GRAY TINT No. 698 
Frontispiece: FRANKLIN GRAY NO. 3621 
Dutt BLack No. 5636 
Headbands: HEADBAND Gray NO. 3622 
Type: PARCHMENT BLACK No. 5000 


Can of Ink: KNICKERBOCKER HALFTONE 
BLACK No. 5024 
REGAL RED No. 01155 


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22 


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20 og a Oe Sig as oe 
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60g pe Se ae 
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DictureisWorth 
10.000 Words 


AMONG THE FIRST PICTURES TO BE TRANSMITTED BY RADIO 
ACROSS THE ATLANTIC WAS THIS FACSIMILE OF A CHINESE PROVERB 


Courtesy of the Outdoor Advertising Agency, New York City 


The Boy in Red 
Painting by Madame Vigée Lebrun. The Medici Society of America 


GEO-H-MORRILL CO- 


PROCESS YELLOW No. 3593 PROCESS BLUE No. 3595 
PROCESS RED No. 3594 PROCESS BLACK No. 5460 


&% ; +> 


a bias we 
L1G 11 ff ODDO spre ore 
ve > ig le wos 


ae 


Marine photograph by Hugo Screen 150 


GEO-H-MORRILL CO- 


MAROON VARISHADE No. 365 


es 
ral 


Night Scene in New York Screen 150 


GEO-H-MORRILL CO- 


SEPIA VARISHADE No. 263 


a» 


cf 


LST OLOL OSL SL ST OL el of ot ets 


4 see nh nn hw 


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Screen 150 


MORRILL CO: 


BROWN VARISHADE No. 1177 


EO): 1 - 


whe fefefefeses fepepepes papas of op afrafesepeposes, 


Pottery Design by LeRoy Henry Appleton 


Girl with Cat. From a painting by Paul Hoecker Screen 150 


GEO-H-MORRILL CO- 


REDDISH BLUE VARISHADE No. 973 
5 


The Pour. Copyright Damascus Bronze Co. Screen 150 


-GEO-H-MORRILL CO- 


BANKNOTE HALFTONE BLACK No. 5002 


Rich bronze overtone, clean bluish undertone—lays smoothly, sets 
and dries well—suitable for high grade work 


Refer also to Foreword on pages vi and vii 


133% SCREEN 120 SCREEN SOLID ISO SCREEN IOO SCREEN 


tf 


a 


Meditation. From a painting by Charles Sprague Pearce Screen 150 


GEO-H-MORRILL CO- 


TOBEY HALFTONE BLACK No. 5606 


A desirable ink for general halftone work —has very little tack and 
may be used on the cheaper grades of coated paper 


Refer also to Foreword on pages vi and vii 


133 SCREEN IZO SCREEN SOLID I5SO0 SCREEN IOO SCREEN 


The White Rose. From a photograph Screen 150 


GEO-H-MORRILL CO- 


KNICKERBOCKER HALFTONE BLACK No. 5024 


A splendid halftone ink that owes success to its working and drying qualities, 
good body, depth of color and moderate price 


Refer also to Foreword on pages vi and vit 


133 SCREEN I2Z0 SCREEN SOLID I5SO SCREEN I0O0 SCREEN 


ef 


es 


‘ 


Washington. From a bust by Jean Houdon Screen 150 


(erO-H- MORRILL GO- 


OXY HALFTONE BLACK No. 6669 


A halftone black especially recommended for its quick drying 
quality. It saves time to use this ink 


Refer also to Foreword on pages vi and vii 


133 SCREEN 120 SCREEN SOLID 150 SCREEN 100 SCREEN 


cad 


x 


Bust of Dante. By Paolo Abbate Screen 150 


GEO-H-MORRILL CO- 


MOHAWK HALFTONE BLACK No. 6638 
A popular ink at a popular price, having no equal in its class 


Refer also to Foreword on pages vi and vit 


133} SCREEN 120 SCREEN SOLID 150 SCREEN IOO SCREEN 


10 


Roman Capital. From a photograph of P. Cartoni Co. Screen 150 


GEO-H:-MORRILL CO- 


MIRACLE HALFTONE BLACK No. 6732 


Sets quickly—dries well on paper without drying on press. 
Sheets may be piled without slip-sheeting 


Refer also to Foreword on pages vi and vii 


133 SCREEN IZO SCREEN SOLID 150 SCREEN 100 SCREEN 


11 


=- 4+ 
heen 
fr | 


AS OAS 


2 


GEO-H-MORRILL CO- 


PARCHMENT BLACK No. 5000 


A heavy-bodied ink, suitable for use on bond, parchment, policy 
and all hard stocks, Makes a good job ink 
Refer also to Foreword on pages vi and vit 


12 


ee ee 6 te es | 
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STATEMENT 


GEO-H-MORRILLCO: 


Manufacturers of 


PRINTING AND LITHOGRAPHIC 
INKS 


NORWOOD é MASS., U.S.A 


TERMS - 30 DAYS NET 


GEO-H-MORRILL CO- 


EXTRA FINE JOB BLACK 5008 


A favorite job black for many years with wonderful 
working properties 


Refer also to Foreword on pages vi and vii 


13 


mmm ay seen a nN 


THOMBT ATE 


>. * i ae ee - - 


COMPARATIVE SIZE OF CITIES. 


x 


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Pekin,* bas many Canton,.... .3  times.}Surat, ...... 17 times. |Madras,.as many. 
London, § New York. Constan’ple,13 times. S.Peters’g,17 times.|Vienna,.as many. 
Jeddo, ....... 4 times.| Nankin,...... 1Z times. | Moscow,...as many.| Naples, .as manv. 
Paris <eicsens 3 times.|Calcutta,.....1¢ times. | Manches’r,as many.|Cairo,....as many. 


* Pekin is supposed by some to contain three millions of inhabitants; about eight ‘times as 
many as New York. London contains about two millions. 


From an Old Geography - 


GEO-H-MORRILL CO- 


GEOGRAPHY BLACK No. 6734 


Used tor the best geographies where cuts, maps and text are printed 
on the best grade of super-calendered paper 
Refer also to Foreword on pages vi and vit 
85 SCREEN 120 SCREEN SOLID IT10 SCREEN I00 SCREEN 


f 


none hecfripta fine in libra fmonii 
Dierii requrn irabel ¢ ung fecunda 
phace hij romelte regis ict reget 
Ipathan Aly ozie regis inde. Giguiti- 
HUIS ANOY erat cu reguare reprilec: 
et {ededin Anis reguaute in theeulale. 
omen misc theta: ilia zadorh. 
qu rat placitum coram Dio. 
Justa omnia A fect ozias parce fis 
DpaY grwcicamnen tecelfand abitulit. 
prdhur pple immolatat et adolebat 


Irrcenlitt egcellis. Qpe edthicauit pots 


donv Domini {ublunifima. Keiqua 
Auten Immpn inathan et uniuedla 


Anis teghantt in ihelin. lon fear qi 
tat placiiuim in ronfpedtu Domini ta 
fui freut Dauid pater 207-fed ambulauit 
invia requin ifrahel. Quip et ili 
ULI TOLECLA LITE CEATLULCETTS pre UTETT 
feaundit pdola peutiii:que See 
Dominus cova lize if: Jmmolabar 
quon; vidtiinas ee adolebat incelit 


ineecelfta ett collibs-er fib ont ligne 
frontglo. Dic altendit ralin vee frie: 
tr phar flius romelie re tirahel-ad 
pliandiinityoufale. Cig; obftierent 
athigaron valuecunt fupecare eu. Ju 
repore ita refhituie valinr ree fivie bay 
liviesee tiecit indeos de hayla.£ pou: 


bita 
ant 


let fiei meneeit tn haylant:s 
netuneibi sift; in die ban. 


Achaz nuncio ad reglat pialaffar re- 
ye chan Pa ese tuusee fli? 
tune ego funn. eee 2 fala me fac 
De manu regis {ire ec manu regis 
Het ro fiveegecune adele me. Fr ci 
rollegiiler argend 2 aru go muetiri 
pOtuit in domo Hit - et in tielaurie re 
is mult regi allrrigg muneca:quit 
ACQuieuit volutadi cis. AlenDit au 
rem ree allriog i Damatcl + vakauit 
ram: raftultt babrearores cis rye. 
netralin atie incerfecit. Peeregitgy ree 
Adhazin orcurfium teglar phalallar 
regi allivion t tamale. Lig; vidiller 
altare Damate : mulit ree achaz ad u- 
ria faceetoté eeamplac o et Gili 
Dine iugta ore opus cis. Keteusic 
ip urias{aredos altare. Jueta oitia 
Que porpeat ree artas tc Damateo:ita 
fecit facerdos urias Donec werivet vee 
adtaz de Damales. Cung weniller reg 
De Damaleo uidit altare + weneratus 
eft illud:afeubing; + inmmolauit olo- 
rautta aie spe at liba- 
mila 2 inemt parificoy que 
obrulecat up altare.Porea altare e- 
LeuIt AD reat roram dno teankulit x 
fare tentpli et & loro altaris 3 & loop 
tenipli Domini po lait; llud e larece 
altaris ad aguiloné. Precepit quogs 
ree achjaz urie farcdon Dine. Sup 
alrare mains offer glorautt matun- 
mum et facie velpecini + olocau- 
Frum regis et farcical ewe:2 olocan- 
Fru wniiitt pot ceece et facvificia eovis 
et libamina cord: ee omen fanguing 
olocaufti et wniiifinn fanguine vidi- 
me fuper iud effundes. jAleare vero 
PCCUIN eeit paArAt ad uOluntaten mea. 
freat igit urlas facies usta oma 
Hue pPreperat ree acyaz . Tlie ate ree 
achaz mlatas bales 2 lute qu evat 


Reproduction of a page from the Gutenberg Bible 


~GEO-H-MORRILL CO- 


BIBLE BLACK No. 6659 


Remarkable for thin text printing, this black, though it may show through, 
‘ does not strike through the thinnest paper 


Refer also to Foreword on pages vi and vit 


15 


none hee fripta funt in libro fmons 
es eer ¢ ea freunds 


sFeciegs nu erat placitum roram Dio. 
Gueta omnia 9 fect o2ias parce fins 
opar fwicamen teelfans abeulit. 
Dhur ple innolatar et adolebat 
Inicenlitt eecelfts. Qpe edtficanit porta 
dow Domini Inblunifinnd, 
autem fugu igathan et uniueda 
que fecit:noune hee feipea fiiri libro 


mecbhor Dich regu iudas Ju diebs ills 
Iepit Dits mittee I iudam ralin. regen 
cirispiee cisenatunetuia tats 


via ri 
rolecrauit tt — 
feantdit pola Quuttilisque Di 
Dominus cova hips iit. Jima aba 
quot; vittinas ec adolebat invent 
ineecelfte ecg collibsser Lich ontti li 10 
frondglo. Tic altendit ralin reg 
tt pharee line romelie ieee an 
plandiwinieeufal?. Cig; obfiteent 
Adigaron valuccunt hipecare eu. Jn 
repore ttle refhituie ralin ree firie bayla 
fwieset tiecit inbeos De hayla. Lr you: 


mei et fei wenectitin haylam:2 38 


neturte Ibi rilgy in Die banc. Ai 


pepe pecking 
Dints. Seruns tus et Ali? 
aro < eeniy 2 falas me far 
De manuregis frie ec manu regis 
Tet co fueeegeeune adueclit mee. LF oii 
tr argency 2 auTU HU inuenivi 
potuit in Domo Dit - ex in elas ve 


giennft regi allrriog mumecasquit 
Arquicuit voliitad ris. 


frlcenDdit au- 
rem ree allinion i Damatel + uatauit 
ram: 2 ra ftulit habitarores cus tree. 


nen-raln aittinterfecit. 2 


pe 
meade 


Und-afenditg; 4 inmotauit ol. 
cu rn ta | 
mina parti ii itu que 
shvutinas aged pin ten one 
reumgiiecar coram dug teantulit 
fe empl om lea Lo 
tempi ilud eg! 


ig Pin farrdvs iusta Dita 
preperat ree acaz. Tulit atic ree 
pie i teélatag bales lute qui eat 


_ Reproduction of a page from the Gutenberg Bible 


oo MANN Posi AS Se NI 
: = 


ra Nua 7 7 a De <9 


ae Wo ii ES Se 


:f i 


Ih 
Dy yy 
i”, 


mi \g i i \ ti 


) KK z( 
Lec = 
~imuriuarpa 


Hee a 


“waa ACL Olsen 
ie sates ab | ba be | bi bo | : 


OC c| ca ce cu cou 


ro 19 00 28, de do 


pause 


aay sae US ¢ 


Qi me Ug art 
nae f ital 
cite cu Amen Bee 


nay 
seamen 
petite!” 2 


ALS Aa 


Reproduction of an old-time Horn Book 


GEO-H-MORRILL CO- 


SCHOOL BOOK BLACK No. 5098 


Extensively used for printing school books and therefore 
highly recommended 


Refer also to Foreword on pages vi and vii 


16 


a. 


From a drawing by Wm. Fletcher White 


GEO-H-MORRILL CO- 


_ OZO BOOK BLACK No. 6668 


A long, free-flowing ink, suitable for books, placards, cartons, etc., 
possessing dense color and quick drying quality 


Refer also to Foreword on pages vi and vii 


No. 509 No. 5 


No. 9 I 


No. 443 Soup No. 433 No. 310 


AFRICAN 
BLACK 


GEO-H-MORRILL CO- 


AFRICAN BLACK No. 5459 


May be used on book and coated papers—is adapted to all kinds of book, 
catalog and publication work and will print clean on long runs 


Medium body, quick drying 


Heavy body, medium dryer........... No. 5459 
Soft body, medium dryer............. No. 5015 
Refer also to Foreword on pages vi and vii 
No. 509 No. 5 No. 441 No. 9 No. 512 


No. 433 No. 310 


Ye Old Dick. From an etching by Plowman Screen 100 


-GEO-H-MORRILL CO- 


M. & E. MAGAZINE BLACK No. 5388 


Made especially to meet the requirements of magazine work 


Refer also to Foreword on pages vi and vii 


85 SCREEN 120 SCREEN SOLID 110 SCREEN 100 SCREEN 


bt 


a 


Three Birch Trees. From a photograph Screen 100 


GEO-H-MORRILL CO- 


Y. C. MAGAZINE BLACK No. 6755 


A rotary magazine black, most satisfactory on machine-finished 
and super-calendered stocks 


Refer also to Foreword on pages vi and vii 


85 SCREEN 120 SCREEN SOLID T10 SCREEN I00 SCREEN 


Crowing Cock. From a photograph by H. Armstrong Roberts Screen 120 


GEO-H-MORRILL CO- 


FARM MAGAZINE BLACK No. 6754 


For farm journals where good color is needed this rotary black 
meets the demand 


Refer also to Foreword on pages vt and vii 


85 SCREEN 120 SCREEN SOLID 110 SCREEN 100 SCREEN 


I 

ih 

» 

A 
ip UE 
mS te Ve 
u pt f | H VI yA 

9 PAY ct er 
a ka 5 
IF | jie: 
A Street in Old Cairo. By LeRoy Henry Appleton 
GEO-H:-MORRILL CO- 
ROTARY MAGAZINE BLACK No. 6579 
The most satisfactory rotary black made for 
ordinary magazine work 
Refer also to Foreword on pages vi and vii 
No. 509 No. 5 No. 441 No. 9 No. 512 
335 
a No. 301 No. 443 SoLip No. 433 No. 310 
‘ 22 


The Lute Player. From a painting by Meissonier Screen 150 


GEO-H-MORRILL CO: 


VOLCANO RED No. 01132-R 


A halftone, type and label ink. Also made for litho and offset— 
almost permanent—semi-transparent 


Refer also to Foreword on pages vi and vii 


133 SCREEN IZO SCREEN SOLID 150 SCREEN IOO SCREEN 


29 


2 


I a Md 


cs 


Young Woman with Water Jug. From a painting by Johannes Vermeer Screen 150 


GEO-H-MORRILL CO- 


ZINNIA RED No. 01121 


A bright red for cylinder and job presses; also made for label, cover, 
bread and butter wrapper, litho and offset work. 
Fairly permanent—semi-transparent 


Refer also to Foreword on pages vi and vii 


133 SCREEN 120 SCREEN SOLID 150 SCREEN 100 SCREEN 


AS j 


(¢ 


s 


The Swan. From a photograph by H. Armstrong Roberts Screen 150 


GEO-H-MORRILL CO- 


EXCELSA RED No. 01126-R 


An ink for cylinder and job press, suitable for almost any kind of work. 
Fairly permanent, semi-transparent—does not bleed in water 


Refer also to Foreword on pages vi and vii 


133 SCREEN IZO SCREEN SOLID ISO SCREEN 100 SCREEN 


25 


Washington. From a bust by Jean Houdon Screen 150 


GEO-H-MORRILL CO- 


GERANIUM LAKE Y No. 203 


A bright, clean color of excellent working qualities, suitable for 
halftone and job work—fairly transparent but not permanent 


Refer also to Foreword on pages vi and vit 


133, SCREEN IZO SCREEN SOLID 150 SCREEN 100 SCREEN 


26 


The Arch of Titus. From a photograph Screen 150 


GEO-H-MORRILL CO- 


COLORADO RED No. 432 


THE ink for all-round purposes. Used generally on all stocks except 
the cheapest grades —not permanent 


Refer also to Foreword on pages vi and vii 


133 SCREEN © IZO SCREEN SOLID I§O0 SCREEN 100 SCREEN 


27 


Ay 


Fishing Craft. From a photograph Screen 150 


peor) - T-MORRILL CO- 


COSMOS RED No. 01147-R 


A halftone and type ink for cylinder and job press. Semi-transparent— 
fairly permanent—does not bleed in water and stands hot paraffine 


Refer also to Foreword on pages vi and vii 


133 SCREEN 120 SCREEN SOLID I5O0 SCREEN 100 SCREEN 


28 


The Sign Painter. From a painting by Meissonier Screen 150 


GEO-H-MORRILL CO- 


COLUMBINE RED No. 01145-R 


A remarkable color that is made for almost any kind of work. 
Fairly transparent, fairly permanent and bakes beautifully 


Refer also to Foreword on pages vi and vii 


133 SCREEN IZ0 SCREEN SOLID I5O0 SCREEN 100 SCREEN 


29 


Sa oe 


rn 


| 
| 


io 


b; right Damascus Bronze Co. aie: Screen 150 


O48 »: 


* 


EO-H-MORRILL CO- 


REGAL RED No. 01155 
deep red with good finish—semi-transparent, semi-permanent. 
~ Notalkali or paste proof but stands hot paraffine 
Refer also to Foreword on pages vi and vii 


Un 


120 SCREEN) SOLID 150 SCREEN 100 SCREEN 


e 


Ye Old Dick. From an etching by Plowman Screen 150 


GEO-H-MORRILL CO- 


DAHLIA RED No. 01157-R 


A halftone ink of bluish undertone for cylinder and job press—semi- 
transparent, fairly permanent. Not alkali proof but stands hot paraffine 


Refer also to Foreword on pages vi and vit 


133 SCREEN 120 SCREEN SOLID I5O SCREEN 100 SCREEN 


aL 


; nS A . i ~ . y 


\) nal 4 ‘ 2A 


ad ; 


Roman Capital, From a photograph of P. Cartoni Co. Screen 150 


oo) Hs MORRILL CO- 


LIGHT RED No. 01101 


A cylinder and job press ink that is also made for litho and offset. 
Almost permanent, semi-transparent and especially 
suitable for label work 


Refer also to Foreword on pages vi and vii 


133 SCREEN IZ0 SCREEN SOLID 150 SCREEN 100 SCREEN 


ef 


Ry 


The White Rose. From a photograph Screen 150 


e)-H- MORRILL CO- 


DARK RED No. 01108 


A cylinder and job press ink similar to No. 01101 
in its use and properties 


Refer also to Foreword on pages vi and vit 


133 SCREEN IZO0 SCREEN SOLID I5O0 SCREEN I00 SCREEN 


33 


i} 
ans 


Three Birch Trees. From a photograph Screen 150 


GEO-H:-MORRILL CO- 


PHLOX RED No. 01173-R 


Can be made for any kind of work and specially useful where greater 
permanence is required for process red 


Refer also to Foreword on pages vi and vi 


133 SCREEN IZO SCREEN SOLID 150 SCREEN 100 SCREEN 


-f 
PY 
& 

. 
- 
tee 
3 
> 

se be 


The Apothecary Shop. From a painting by F. A. Grison ‘Screen 150 


GEO-H-MORRILL CO. 


CARNATION RED No. 01160 


A remarkably clean shade, often desirable in process work or in 
making delicate rose or pink tints 


Refer also to Foreword on pages vi and vit 


133 SCREEN IZO SCREEN SOLID 150 SCREEN IOO SCREEN 


s4 y > ry) 


‘he Lute Player. From. a painting by Meissonier 


re color with extremely bluish Gace serviceable in 
_ process work but not permanent 


Rae also to Foreword on pages vi and vit 


150 SCREEN 100 SCREEN 


a» 


tf 


NS 


een 


Italian Fireplace. From a photograph of P. Cartoni Co. Screen 150 


fe GeE®- H-MORRILL CO 


2 REGAL BLUE No. 01525-R 


A brilliant color for cylinder and job work which stands our 
customary test with an aqueous solution of caustic 


j Refer also to Foreword on pages vi and vii 


133 SCREEN IZ0 SCREEN SOLID ISO SCREEN I00 SCREEN 


at 


nis Little Bob and Tiny Tim. From a Copley Print. Screen 150 
| Copyright Curtis and Cameron, Publishers, Boston 


pee O- Hi - MORRILL CO- © 


iy ‘ IMPERIAL BLUE No. 14 


; A bright shade of blue suitable for almost any purpose 


Refer also to Foreword on pages vi and vii 


133 SCREEN IZO SCREEN SOLID I50 SCREEN 100 SCREEN 


Cs 


&A 


GEO-H-MORRILLCO. 


GEO-H-MORRILL CO- 


A good blue for general use 
but not alkali proof 
Refer also to Foreword on pages vi and vii 


39 


ar 


€f 


GEO-H-MORRILLCO. 


GEO-H-MORRILL CO- 


BRONZE BLUE No. 01512 


A real bronze blue, almost permanent but not alkali proof 
Can be made for litho and offset work 
See page 39-A for this ink on super 


Refer also to Foreword on pages vi and vii 


39-B 


+ ul 
Cae 
: 
? 
, 


Screen 150 — 


2 


¥ BLUE LAKE No. 01535 


nd 


rone d ihe lake for fine halftone Pec erane pace | 
Sin but not permanent or alkali proof 


Refer also to Foreword on pages vi and vii 


350 SCREEN 100 SCREEN’ 


LLEGK SMITH, 


Little Bob and Tiny Tim. From a Copley Print. Screen 150 
Copyright Curtis and Cameron, Publishers, Boston 


GeEO-H-MORRILL CO- 


PEACOCK BLUE No. 01551 


For artistic effects in process work this color satisfies 
not permanent or alkali proof 
Refer also to Foreword on pages vi and vii 


133 SCREEN IZ0 SCREEN SOLID ISO SCREEN IOO SCREEN 


f¢ 


ae 


Canal in Venice. From a painting by Martin Rico Screen 150 


GEO-H-MORRILL CO- 


ULTRAMARINE BLUE No. 01546 


A genuine ultramarine blue. Permanent and alkali proof but 
should not be used on copper 


Refer also to Foreword on pages vi and vii 


133 SCREEN 110 SCREEN SOLID 150 SCREEN 100 SCREEN 


pees 5 
a 


Auid Lane Syne. By WL. Taylor. Copyrigh: Curtis Publisbing Gs 


GEO-H-MORRILL CO- 


CANARY YELLOW Neo. 01305 


A chrome yellow for type and label work. Also made for 
litho and offset-—opaque and permanent 


: 
Refer also to Foreword on pages viand vi 


SOLID 150 SCREEN 100 SCREEN 


133 SCREEN 1.0 SCREEN 


as 


cf 


Torrey Pine. From a photograph by Harold Hugo Screen 150 


GEO-H:-MORRILL CO- 


MEDIUM YELLOW No. 01305 


A medium shade of chrome yellow for type and label work. Also 
made for litho and offset-—opaque and permanent 


Refer also to Foreword on pages vi and vii 


133 SCREEN 120 SCREEN SOLID 1§Q SCREEN 100 SCREEN 


ae 


I 


3 


Nude Child. From a painting by Angelo Screen 150 


GEO-H-MORRILL CO: 


DEEP YELLOW No. 01307 


A deep shade of chrome yellow for type and label work. Also 
made for litho and offset—opaque and permanent 


Refer also to Foreword on pages vi and vii 


133 SCREEN I1ZO SCREEN SOLID 1§O SCREEN IOO SCREEN 


At, 


Young Woman with Water Jug. From a painting by Johannes Vermeer Screen 150 


GEO-H-MORRILL CO: 


YELLOW LAKE G No. 01411 


A type and process color of greenish undertone from which, with 
process blue, some very clean shades of green can be obtained 
Transparent and fugitive 


Refer also to Foreword on pages vi and vit 


533 SCREEN 120 SCREEN SOLID 1§0 SCREEN 100 SCREEN 


a 
ye 


i? 


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BT eB yt ETE st ig ll Fy 
— ee 


0 5 ae 


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; iz 2 
tr er tenements nissan ctaenaiese 
ore een enocern me iammermnmnn eam mamma scien oeneneeecneteeteiaeeeeienemmmnnainemenmmmmnememeanemmetememennmtemene een 


ef 


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qs 


x 


Little Bob and Tiny Tim. From a Copley Print. Screen 150 
Copyright Curtis and Cameron, Publishers, Boston 


GEO-H-MORRILL CO- 


TANGERINE ORANGE No. 01206 


An almost permanent orange lake for cylinder and job press— 
also a label ink 


Refer also to Foreword on pages vi and vii 


133 SCREEN IZO0 SCREEN SOLID 150 SCREEN 100 SCREEN 


. ; so ; y > a 


The Swan. From a photograph by H. Armstrong Roberts Screen 150 


GEO-H-MORRILL CO- 


PERSIAN ORANGE No. 01203 


An extra fine transparent Persian orange. 
Bakes beautifully—fugitive 
Refer also to Foreword on pages vi and vii 


133 SCREEN 120 SCREEN SOLID I§O SCREEN IOO0 SCREEN 


AME 


¢¢ 


5 


The Arch of Titus. From a photograph Screen 150 


Peo -H-MORRILE CO- 


EXTRA LIGHT MILORI GREEN No. 01401 


An opaque, petmanent color for cylinder and job work. 
Suitable for litho and offset 


Refer also to Foreword on pages vi and vii 


133 SCREEN IZO SCREEN SOLID I§O SCREEN 100 SCREEN 


Fishing Craft. From a photograph Screen 150 


GEO-H-MORRILL CO- 


LIGHT MILORI GREEN No. 01403 


An opaque, permanent color for cylinder and job work. 
Suitable for litho and offset 


Refer also to Foreword on pages vi and vii 


, 


133 SCREEN 120 SCREEN SOLID 150 SCREEN 100 SCREEN 


51 


f. 


& 


The Sign Painter. From a painting by Meissonier Screen 150 


GEO-H-MORRILL CO: 


MEDIUM MILORI GREEN No. 01405 


An opaque, permanent color for cylinder and job work. 
Suitable for litho and offset 


Refer also to Foreword on pages vi and vit 


133 SCREEN 120 SCREEN SOLID 150 SCREEN 100 SCREEN 


BY: 


AN ; 


| +5 
Nice Pret 


Ye Old Dick. From an etching by Plowman Screen 150 


GEO-H-MORRILL CO- 


DARK MILORI GREEN No. 01407 


An opaque, permanent color for cylinder and job work. 
Suitable for litho and offset 


Refer also to Foreword on pages vi and vit 


133 SCREEN 120 SCREEN SOLID 150 SCREEN I00 SCREEN 


Tey 


Three Birch Trees. From a photograph Screen 150 


GEO-H-MORRILL CO- 


EXTRA DARK MILORI GREEN No. 01409 


An opaque, permanent color for cylinder and job work. 
Suitable for litho and offset 


Refer also to Foreword on pages vi and vii 


133 SCREEN IZO SCREEN SOLID 150 SCREEN I00 SCREEN 


54 


*. 


Lady in Blue. From a painting by Somoff Screen 150 


fee) t1-MORRILL CO- 


LIGHT GREEN LAKE No. 01411 


The color for Christmas Greetings. A bright clean color, suitable 
for cylinder and job work—transparent—fugitive 


Refer also to Foreword on pages vi and vit 


133 SCREEN 120 SCREEN SOLID 150 SCREEN 100 SCREEN 


» 


a 


Laughing Cavalier. Prom 2 painting by Franz Hals Screen 150 


GEO-H-MORRILL CO: 


DARK GREEN LAKE Noa. 01416 


A dark shade of green lake for halftone and type work 
transparent—fugitive. 
Refer also to Foreword on pages vi and vit 


133 SCREEN 12.0 SCREEN SOLID I§0 SCREEN 100 SCREEN 


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Auld Lang Syne. By W. L. Taylor. Copyright Curtis Publishing Co. Screen 150 


GEO-H-MORRILL CO- 


- ROYAL PURPLE No. 01605 


A cylinder and job halftone and type ink. Transparent— 
not permanent, nor alkali proof—bakes well 


Refer also to Foreword on pages vi and vii 


133 SCREEN 120 SCREEN SOLID 150 SCREEN 100 SCREEN 


57 


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Torrey Pine. From a photograph by Harold Hugo Screen 150 


GEO-H-MORRILL CO- 


: IMPERIAL PURPLE No. 01613-R 


A halftone and type ink which stands a certain amount of 
exposure to sunlight without much fading 


Refer also to Foreword on pages vi and vit 


133 SCREEN 120 SCREEN SOLID 150 SCREEN I00 SCREEN 


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Nude Child. From a painting by Angelo Screen 150 


fee)-F- MORRILL CO- 


HAIG BROWN No. 527 


An attractive light brown for cylinder and job press 
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Refer also to Foreword on pages vi and vit 


133 SCREEN 120 SCREEN SOLID 150 SCREEN 100 SCREEN 


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Bust of Dante. By Paolo Abbate Screen 150 


GEO-H-MORRILL CO: 


PERSHING BROWN No. 158 


A popular shade of brown for cylinder and job work— 
not permanent 


Refer also to Foreword on pages vi and vit 


133 SCREEN 120 SCREEN SOLID 150 SCREEN 100 SCREEN 


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GEO-H-MORRILL CO- 


DEEP PHOTO BROWN No. 27 


A photo brown for artistic effects, generally used on cylinder or job 
press upon coated paper—not permanent 


Refer also to Foreword on pages vi and vit 


133 SCREEN 120 SCREEN SOLID I§0 SCREEN 100 SCREEN 


61 


Meditation. From a painting by Charles Sprague Pearce Screen 150 


GEO-H-MORRILL CO- 


CHOCOLATE BROWN No. 2473 


A good chocolate color for halftone and job work— 
fairly permanent 


Refer also to Foreword on pages vi and vii 


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GEO-H-MORRILL CO- 


LIGHT POSTER YELLOW No. 3578 
DARK POSTER RED No. 3584 
POSTER VIOLET No. 3588 
POSTER BLACK No. 6760 


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Copyright, Geo, H. Morrill Co. 


GEO-H-MORRILL CO- 


MEDIUM POSTER YELLOW No. 3579 
MEDIUM POSTER GREEN No. 3582 
MEDIUM POSTER BLUE No. 3586 
POSTER BLACK No. 6760 


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MEDIUM POSTER RED No. 3583 
EXTRA LIGHT POSTER GREEN No. 3580 
DARK POSTER BLUE No. 3587 
POSTER BLACK No. 6760 


Copyright, Geo. H. Morrill Co. 


GEO-H-MORRILL CO- 


LIGHT POSTER BLUE No. 3585 
LIGHT POSTER GREEN No. 3581 
LIGHT POSTER RED No. 3571 
POSTER BLACK No. 6760 


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NO. 1042 NO. 594 


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YELLOWISH GREEN TINT—NO. 1042 YELLOW TINT—NO. 594 

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DARK LABEL RED No. 3603 


70 


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GLASSINE ORANGE No. 3606 GLASSINE GREEN No. 3607 


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VENETIAN COVER BLUE No. 683 
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COVER RED No. 282 
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COVER BLACK No. 6757 


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